Each artist brings a distinct voice:
- Sharyn Egan, a respected Noongar artist, grounds the artwork in the stories, language, and traditions of Whadjuk Noongar Country. Her practice often explores healing and resilience through natural materials and collective making.
- Jon Tarry, a sculptor and academic, works across large-scale public art and architectural integration, focusing on form, motion, and the relationship between material and landscape.
- James Morton, a multidisciplinary designer, brings a spatial sensibility that bridges art, technology and environment, ensuring the artworks respond to the architecture and user experience of the site.
Together, their approach will infuse the precinct with a living narrative: one that captures the flow of the game, the movement of people, and the cultural stories of Country.
